If you have any questions, the game’s intro video should give you all the answers (read: no answers whatsoever).

The funny thing is, that for all it’s insane digi-photo art and completely off-the-wall content, it’s actually kind of fun to play once you can get your head around it. Hopefully that helped clear something up, though I’ve got no idea what. Also, the full translated title of this game is “Super Big Brother – The Ultimate, Most Powerful Man in the Milky Way”. Is that a giant man? In a flower garden in space? In some kind of robotic harness? With another man protruding from his, er… bits? It’s also worth noting that the boss theme for this battle is smooth cabaret jazz. How did that go? I’m not sure how to answer this in words, so I’ll just leave you with this picture from the first boss battle: ( click here) Additionally, instead of hand-drawn sprites, Masaya decided to go with digitally photographed people for its in game models. The game is a remake of sorts of the first Cho Aniki title from the PC-Engine, utilising the same base technology to create a side-scrolling shooter akin to other early to mid 90′s iconic titles like Super R-Type and Darius Twin. One incredibly anomalous title in the vast ocean of gaming odysseys from the Far East has repeatedly stood out and slapped me in the face like an oiled up mankini-clad bodybuilder from space- That could be none other than the definitive (and unmistakably Japanese) Cho Aniki iteration which was released on the original PlayStation.Īdmittedly, Cho Aniki on PlayStation was not the first game in the series, though it certainly took the already surreal (and incredibly homoerotic) themes in the series to an entirely new level.

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